@ The Dance Center of Columbia College
Choreographed by Margaret M. Morris
Length 27 minutes
Danced By Szewai Lee, Meleighsha Page, Loni, Margaret M. Morris, and Cara Sabin
juxtaposes two
different forms of dysfunctional relationships: one
that results in the inability to see others due to
self-absorption, and the codependent kind that is
oppressively close. It deals with the struggle to
evolve though maintaining individuality and harnessing
collective energy
look inside the chrysalis
where phoenixes and and faeries weave circuits
from shared love
and prepare for new births
of New Worlds
We are the novus ordo seclorum
@ The Dance Center of Columbia College
Choreographed by Margaret M. Morris
Length 21 minutes
Danced by Reiko Kawai, Liz Chang, and Robin
Cracks in reality
where empaths meet
and transmute pain and gold
teeters at the precipice between
falling and flying
The trio illustrates a
post-traumatic reconfiguring of life in three
versions
@ Galaxie
Choreographed/Directed by Margaret M. Morris
Length 50 minutes
Cognitive dissonance resulting from the reality shattering historical facts, current internal and external systems, and social trajectories resulting from the Maafa and colonization
@The Dance Center of Columbia College Chicago
Choreographed/Directed by Margaret M. Morris
Length 10 minutes
A form driven quartet that sneaks in momentary intimacies
among mathematically derived structures. The dancers
populate a metamorphic experiential field. They
transform into classically beautiful sculptures,
incomprehensible archetypes, and idiosyncratic
creatures.
@ Links Hall
Choreographed by Margaret M. Morris
Length 20 minutes
Performed by Angela Gronroos, Keisha Turner, Margaret M. Morris, and Jenny Brummer
A tesseract forming her faces from
women chanting mystic love chants
wind bending
In Tongues
invites the audience
to experience an invigorating moment when the
intelligent life force moves through four dancers
bodies, causing a sacred language to erupt. They use
breath to invoke a force that moves the small hairs on
the skin
@Ruth Page Center for the Arts
Choreographed and directed by Margaret M. Morris
Performed by Szewai Lee
Length 5 minutes
A Black woman creates a reality in which the "perfect human" plays on a stage
the "perfect human" has a fondness for popcorn an happens to be an Asian woman
The conceiver of the matrix in which she moves, God
happens to be me
and I happen to be a Black woman.
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